https://shaneaspegren.com/recentprojects daily 1.0 2026-02-24 https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1479176600898-U95IWWPBJRDISPP8FRZX/ThingsThatCanHappen3+1.jpg SELECTED PROJECTS Third Eye Kaleidoscope was a series of interventions by Shane Aspegren (US) and Adrian Wong (US). The fifth and final intervention took place in Sham Shui Po, Hong Kong, where a 20-foot-diameter yurt* was temporarily erected on the rooftop of Things That Can Happen. Visitors were invited to enter and perform a series of instructions at five stations around the yurt’s perimeter. "Instructions are provided to serve as guidelines, though they are interpreted by the participant and yield a range of different experiences. The participation of the visitor activates the stations, rendering each performance a unique living sculpture." *The yurt was destroyed by Typhoon Haima and the installation was reset in the open air. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1481260259525-W44L1T79N5RWTVMGFP5K/DJsniffsetup.JPG SELECTED PROJECTS Hong Kong based Shane Aspegren and dj sniff come together as a energetic and versatile duo building upon each of their diverse musical backgrounds. Although free improvisation is at the core of this collaboration, their focus on rhythm and viscerality allows them to break out of conventional notions associated with the genres of experimental and improvised music. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1481785684498-BAK97BJBTXSBXWVY8IOS/thirdeyekaleidoscopescreeenshot.jpg SELECTED PROJECTS Third-Eye Kaleidoscope was a series of interventions by Shane Aspegren (US) and Adrian Wong (US) aimed at tracing the development of the New Age movement and its related principles, beliefs, and practices. Initially taking hold in the West in the 1960’s and 70’s, New Ageism was fueled by an influx of Eastern philosophies, propagating an alternative to the normative structures of the Judeo-Christian framework. These philosophies were inevitably melded with various homegrown forms of mysticism, to yield its dizzying constellation of pantheistic and hybridized forms—forms that have now made their way back East. This New New Age is the subject of this present investigation. Hong Kong is uniquely positioned both as a place where many of New Ageism’s roots can be traced back to, and as a place where its modern practice is thriving. At present, the city is home to over one hundred yoga studios, an international center for transcendental meditation, six institutions teaching the practice of Reiki, the largest metaphysics and astrology center in Southern China, two autonomous schools of animal communication, and a New Age studies center which boasts over a thousand members. Three interventions are scheduled to occur during Art Basel Hong Kong 2016, made possible by financial support from the Hong Kong Arts Development Council, with additional logistical support from WING platform for performance. more info at thirdeyekaleidoscope.com   *Third-Eye Kaleidoscope was made possible by the support of the Hong Kong Arts Development Council. The content of the work does not necessarily reflect the opinions or views of the council. Acknowledgement of the Council carries no implication that the Council or its employees undertake or accept any responsibility to third parties for any debts or obligations associated with the production of the work.   Video/stills by Seth Henderson (Day 1, 2) and Karim Hapette (Day 3) Video edit by Shane Aspegren & Adrian Wong Photos by Shane Aspegren (Day 2) https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1494989076568-J5VS9CZD43UYQDNWEDDW/GloriousPhoenixWongAspegren1.jpg SELECTED PROJECTS THE GLORIOUS PHOENIX (installation version 2015) wool carpet, artificial plants, music stands, graphical scores, metallophone, percussion, woodwind, video 16”00 2.5 m x 2.5 m x 2 m Originally a story written (for Spring Workshop’s Stationary 1 publication) by Adrian Wong, The Glorious Phoenix was incorporated as a video segment of Shane Aspegren's performance piece Free Lounge. Following the performance, Aspegren and Wong were commissioned by the Frank Yang Foundation to turn The Glorious Phoenix into a stand-alone installation, with an intermediary step of creating a fully realized dance performance for the Post-Vernissage of Art Basel Hong Kong 2015. photo courtesy of LTD Gallery, Los Angeles https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1479103694790-CCMG5HEYN0FXYIKAUOM8/DamaDiPalazzoPullingWall.1.jpg SELECTED PROJECTS "Ci Ha Visto Un Re (A King Saw Us)", an installation and immersive theatre performance by Shane Aspegren and Adrian Wong Commissioned by Alcantara and curated by Davide Quadrio and Massimo Torrigiani as part of the exhibit "Ho Visto Un Re" - Palazzo Reale, Milano, Italy. October 2016 Cast: Dama di Corte: Eloisa Reverie Vezzosi Araldo: Olivier Langhendries La Guardia: Giovanni Abbracciavento Other artists included in the exhibition, whose work was transformed into the sets for the performance: Maurizio Anzeri, Arthur Arbesser, Paola Besana, Gentucca Bini, Matthew Herbert, Taisuke Koyama, Francesco Simeti   Photography by Shane Aspegren, except where noted https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1504859402993-OWP6Y1I3KNTTLSYUW9CZ/Weather_Aspegren_4.JPG SELECTED PROJECTS Weather’s always changing, for a limited time (2017) water, dehumidifiers, aquarium, tea, Medusomyces gisevii, insect electrocutors, automatic scent dispenser, artificial plant, looped sound collages (11 min 43 sec & 4 min 19 sec), speakers, cables, media players, electrical components Installation photos courtesy: K11 Art Foundation https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1494837380540-QJ751I1GC2DVMR00M04C/IMG_0979.JPG SELECTED PROJECTS As part of An exposition, not an exhibition, Berlin-based artist Ari Benjamin Meyers invited six Hong Kong composers to create new works for Hong Kong Solos. The scores were written specifically for an audience of 1-4 audience members and performed by selected staff members at six non-profit art organizations across the city. From his cubicle at the M+ offices in Cyberport, pianist Tom Morgan interpreted an abstract visual score created by Shane Aspegren, titled Mantra For Improvisation To Destroy Belief In Abstraction. The interactive work imposes a starting point where the audience members communally become the central performers of the piece, forming a free-tempo chant as the basis for the soloist's improvisation. The score is available as a limited and numbered archival print. For more information, please email shaneaspegren at me dot com. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1494995952783-5TEVRB6XSMA3OU4H7RDU/Screen+Shot+2017-05-17+at+12.21.59.png SELECTED PROJECTS https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1529812298840-Q3MKI8XHXUXN9E32ABPC/20180330_PossibleMusic%231_makeingof_05108.jpg SELECTED PROJECTS Samson Young’s Possible Music #1 (feat. NESS & Shane Aspegren) is a commissioned instillation in the Guggenheim exhibition One Hand Clapping. On view at Solomon R. Guggenheim Museum, New York, May 4 - October 21, 2018. Behind the scenes photography by Dennis Man https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1556945942727-EDHTEZ9A210NR8RT4MTD/Suitcase1.jpg SELECTED PROJECTS Coming In Going Out Coming Out Going In 2019 Zero Halliburton case, ceramics, glaze, spray paint, coral, clay, rocks, coins, glass, Medusomyces gisevii, digital print on fabric, packaging foam Closed: 67 x 50 x 22 cm (26 1/2 x 19 1/2 x 9 in.) Open: Dimensions variable https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1587104686247-AG5L0NTFLZTF9YJ1TCVL/396still.jpeg SELECTED PROJECTS https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1527499291674-UQRGVEPQLQSE0BD3TLUG/WaysonPoon_collage16.jpg SELECTED PROJECTS above: 16 stills after a conversation with Wayson Poon https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1628668500701-F7OZVZTOQNGJ1BLO4Z7L/Imaginal+Pathway+IG+banner2.jpg SELECTED PROJECTS The thing in your hand is binary in its construction but the pathway is fluid; a stream of references rather than an answer. Like a tarot deck or any other ritual device, it is primarily used to provoke inner sensations of perceived choice, fear, longing, lust, narcissism, illusion, schadenfreude, submission, and the whole spectrum of brainwave states and animal impulses. Kindly submit to the user preferences and consider each step closely. 你手上的東西是用二元概念製造出來的，但它所顯示的路徑卻如水流動。沒有單一答案，只有一串串的明示暗示。就像塔羅牌如何挑起內在既有的，關於選擇、恐懼、渴求、慾望、自戀、幻覺、幸災樂禍、服從，以及腦波狀態與原始衝動。請接受你的選擇並留心每一步。 https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1660193212306-Y7VF0TL0ME56J5KN13L9/5a0b99d5-fe63-4bee-a023-dc7c1a53774b.jpeg SELECTED PROJECTS SCARING THE MICE FOR REVENGE Shane Aspegren, Nicolas Laureau, Jérôme Lorichon, Quentin Rollet PRE-ORDER NOW! TRACKLIST 1 – Bamboo Stick Shop 2 – Cow Face Posturing 3 – Birds Riding On Top Of Trucks 4 – A Charming Snake Pit 5 – Tsetse Scaring The Mice For Revengecelebrates a reunion of four longtime friends in the studio—the first time as a quartet, after crossing paths many times during their respective projects. Following long careers on the indie scene, Nicolas Laureau and Quentin Rollet rediscover each other's artistry after frequently working in parallel, while Jérôme Lorichon and Shane Aspegren, now based in Hong Kong, find each other again after a long pause from their acclaimed duo The Berg Sans Nipple. What they share is a desire to redefine their output over and over, staying open to every possible sphere of musical experimentation, while never becoming enclosed into any genre. Helmed by sound engineer Johannes Buff, the recording session was disconcertingly fluid, with everything recorded in one take with no overdubs. Resuscitating the Hindu-tinged spiritual jazz of Pharoah Sanders and Alice Coltrane, the four musicians opened a rift to new constellations. — Shane Aspegren : drums, percussions Nicolas Laureau : sitar Jérôme Lorichon : oscillators, spacedrums, effects Quentin Rollet : saxophone Recorded and edited by Johannes Buff Mixed by Johannes Buff, Nicolas Laureau & Erik Minkkinen Mastered by Fabrice Laureau Artwork by Yu Matsuoka REF : PRO 061 – Prohibited Records 2022. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1685471011625-C44ICLDVTJ14OF4VMZVD/IMG_5738.jpg SELECTED PROJECTS one can never enter the same body twice (two channel video, four channel sound, 2023) First presented as part of the exhibition META-MOMENTS in April/May 2023 at AIRSIDE in Hong Kong — curated by MUSTHAVEKEYS and supported by Hong Kong Arts Development Council Performance interpreted by Law Yuen Yiu Benjamin & Lo Ka Yan Kaya Video production team: Ng Tsz Kwan, Erkka Nissinen, Shek Ka Lok Wesker, Tung Hil Lam Byron Special thanks to Yuco Lab https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1685472988118-KZC41CY35IVY9Q73U7RX/IMG_3784.jpeg SELECTED PROJECTS Commissioned by Art Basel Hong Kong for Arto Lindsay's Paper Rain parade, Shane Aspegren and Lindsay collaborated on a roaming installation / performance comprised of ten boomboxes, which were pulled along the parade's route by five rickshaw drivers. Each boombox functions simultaneously as a standalone sound piece and as a piece of a larger sound collage, playing various sound loops which were newly created by Aspegren—using field recordings, studio sounds and extracts from prior works by both himself and Lindsay. The individual elements acted as fragments of a disappearing soundtrack for the parade, intermittently crossing paths with each other, as well as the parade's other performers, sounds and spectators. The boomboxes ultimately merged into a single location at the end of the parade in a cacophonous collision. Artists who participated in Paper Rain include: Korakrit Arunanodcha, Haegue Yang, Nadim Abbas, Joao Vasco Pavia, Cedric Maridet, Angela Su, Kung Chi Shing, Otomo Yoshihide, and several others. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1697141126068-O43FKVPNCJ4VA6YTR7C9/DescribingTheThing_cover.jpeg SELECTED PROJECTS Shane Aspegren / Describing The Thing EP (to be released October 27, 2023) PRE-ORDER AT BANDCAMP! 1. Repatterning 2. Describing The Thing 3. Imaginal Pathway 4. iTiS Composed, played, recorded, & mixed by Shane Aspegren Mastered by Antony Ryan at Red Red Paw © & ℗ 2023 Shane Aspegren licensed to Prohibited Records / PRO 065 shaneaspegren.com Describing The Thing comes as a precursor to the forthcoming album Emblems of Transmuting Heat, which was finished a few months prior to the conceptualization of this four track EP. The music from both originates from the same transitional period, during which Shane Aspegren relocated from Hong Kong to Los Angeles. It is the first recorded music that Aspegren has released in some time, and the first solo music ever released under his own name. Though he has an extensive history playing (drums/synths/machines/vx) with electronic/indie/experimental music projects, in the past decade Aspegren has moved back towards the territory of interdisciplinary art-making, in addition to taking a deep plunge into the healing, meditative, and physical aspects of sound. These latter influences are largely present in this new recorded music: two of the four tracks from the EP (as well as part of the forthcoming album) are reshaped iterations from Aspegren’s installations or artworks. Certain tracks on the forthcoming album also integrate binaural beats (or other meditative experiments) and take their shape through a much more free-tempo and ambient- leaning journey. Describing The Thing on the other hand, also evokes some of these elements of trance-like induction, though here it’s more through steady BPMs and repetition — somehow feeling like a closer connection to his earlier project The Berg Sans Nipple (his duo with Lori Sean Berg.) In this sense, Describing The Thing feels a bit more direct than the impending album, which is largely about subtle synthesis, drone, and texture. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1601867060557-XG77FRGRGWQ78NOF4RLC/ShaneAspegren_FitnessPayoffIclose.jpg SELECTED PROJECTS - Shane Aspegren — Fitness Payoff (I) Shane Aspegren — Fitness Payoff (I) All photos by Cheung Chi Wai, courtesy of HART https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1481249530333-45IIFA4WOUL8Z8ELW1EZ/Cromniomancy_TwentyFiveVideoStillsResizeWeb.jpg SELECTED PROJECTS Above: Video stills from "Cromniomancy" (6'56") - Written, directed, shot & edited by Shane Aspegren & Adrian Wong. Animated by Dylan Collard. Narrated by Cynthia Coulson & Andrew Chworowsky. This body of work was originally presented at Rossi & Rossi in 2016 and later reformatted for the 2023 Macao International Art Biennial. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1699904906146-29FO6QPB1FIA2U9M6DBD/IMG_8019.JPG SELECTED PROJECTS Resonant Harbour: A Speculative Water Tour took place in October/November 2023 in Hong Kong. Based on a speculative history of the mythical Victoria Harbour (along with a primary theme of negative space) the sound installation by Shane Aspegren was created largely from granularly-processed underwater recordings from the harbour, as well as surrounding marine ecosystems which are under threat due to environmental concerns and development projects. The project was curated by Ng Tsz Kwan and also included dramaturgy by Zoe Lai-Sim Fong and Li Man Hin. Resonant Harbour is connected to another exhibition — Fill In The Blanks — showing building-sized LED video work from Ng Tsz Kwan, Zhang Bo, Tap Chan, and Ivy Ma. Photos courtesy of Hong Kong Arts Development Council. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1732738395146-9JE2AK38KLOXRF5SXOST/EmblemsOfTransmutingHeat_DigitalCover.jpeg SELECTED PROJECTS Shane Aspegren // Emblems of Transmuting Heat Digital LP + Artist Book Composed, played, recorded and mixed by Shane Aspegren Mastered by Antony Ryan Release Date: January 31, 2025 Label: ONDO Catalog Number: ONDO001 UPC: 859795882236 Track Listing 1. Two of Wands 2. One Can Never Enter the Same Body Twice 3. Unshaping 4. Deep Delta 5. Loose Points (feat. Nicolas Laureau) 6. Serious Thermal Waters 7. New Moon in Po Wah Yuen Book Details: 8.5” x 5.5” (21.59 cm x 13.97cm) 44 pages + soft cover (perfect bound on uncoated paper) Order info: https://shaneaspegren.bandcamp.com https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1660068184263-JTGQGK81IK5QFM9VUAXT/IMG_2326.jpeg SELECTED PROJECTS form constant was a site-specific installation-performance in the OASIS of Tai Kwun Contemporary (Hong Kong) in June 2022. One iteration of an ongoing series that intends to widen the view on our perceived peripheries, the work explores relational and energetic exchanges between various living beings, as well as the environments which we inhabit. Using sound (and the ambiguous boundaries between our conditioned ideas/pointers such as organized music, healing sound, environmental noise, etc.) as a primary medium, the composition builds from a collaged, four-channel foundation of improvisational recordings that incorporate somatic experiments with humans, as well as live improvisations with the bio-feedback of plants. The form constant series experiments within the liminal spaces between seemingly dichotomous areas such as plant and animal, city and nature, body and mind, waking and dream, and the inner and outer. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1481259900495-A7WF08JG7Q6RL71B9GN4/%C3%87a+Va+Ch%C3%A9riBuchla.JPG SELECTED PROJECTS Conceived as an alter-ego to The Berg Sans Nipple, the name Ça Va Chéri was first used by Shane Aspegren and Jérome Lorichon (AKA Lori Sean Berg) to create a commissioned soundtrack for a film that didn’t exist - "Île des sables”. After a decade, the duo were wrapping up touring for their final release as Berg and were looking to find a new approach for working together. Fast-forward a few years and a different geographical relationship (Paris <-> Hong Kong) — they decided to take up a short residency at Les Ateliers Claus in Brussels to revive the idea of Ça Va Chéri. Focused around machines, more dance-able rhythms and the Buchla synth that Lori had been building over the past few years, the residency produced hours of strikingly different sounds than the airy cinematic feeling of "Île des sables”— an album that was little-heard due to it’s original context.* Stay tuned... *Île des sables will most certainly, probably be re-released in the near future : ) https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1585824769001-24SCLGI8Z09FFSKVGISL/Adjustments.jpeg SELECTED PROJECTS https://shaneaspegren.com/blood-wine-or-honey daily 0.75 2018-11-19 https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1529811475566-8O4PYH8S60VW8TY71A01/a1141915136_16.jpg Blood Wine or Honey BLOOD WINE OR HONEY / Fear & Celebration From the press release: Surrounded by the throb of heavy machinery, the scent of dried fish, and the humidity of the South China Sea, Blood Wine or Honey have honed their manic hypno-tropicalia in the industrial warehouses and hidden rural hamlets of Hong Kong. Fear & Celebration is a witch’s brew of brazen sax themes, lo-fi/hi-tech electronics, motorik drums, group-sung vocals, wonky tactics and party palpitations results in a ritualistically euphoric sound experience, taking notes from post-punk, dance floor experimentation, bass/soundsystem music and tropical polyrhythms. After the band’s live debut at Sonar Festival, their breakout track 'Anxious Party People' (Plastic Pagan 2017) shocked dancefloors all over the world, receiving a shortlist nomination at Gilles Peterson’s Worldwide Awards for 'Track Of The Year’ and catching the attention of major radio outlets such as BBC 6 Music (UK), Radio Nova (FR), Worldwide FM, Beats In Space (US), RTE (IE), Radio Bern (CH), NTS, Radio X (DE), CR2 903 (HK) and KCRW (US), as well as being featured on Bandcamp Weekly. The album adopts “a kitchen sink approach to body music” (bleep.com) throughout its 9 tracks — burgeoning concept solos punctuate hulking low-end, while drum set freak-outs and extra-spectral wanderings bind with moments of beatific modal calm as disparate ingredients are satisfyingly reconciled. This is deep dance-floor for every mind's ear. Press quotes: “A unique take on modern dance floor tropicalia that draws the line beautifully between Post-Punk, NY Disco Not Disco and Afro-Latin outernational sounds.” Dom Servini, Wah Wah 45s" “I’m catching a flight to Hong Kong with one aim — to see these guys” Gilles Peterson “...the brilliant Blood Wine or Honey ... a stimulating blend of tribal rhythms, electro-psych and afro-beat Tom Ravenscroft, BBC 6 Music “What a tune, Anxious Party People ... one of the big dance-floor tunes this year ... one of the big tunes for me this year as well” Rob Luis, Tru Thoughts https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1529811475566-8O4PYH8S60VW8TY71A01/a1141915136_16.jpg Blood Wine or Honey BLOOD WINE OR HONEY / Fear & Celebration From the press release: Surrounded by the throb of heavy machinery, the scent of dried fish, and the humidity of the South China Sea, Blood Wine or Honey have honed their manic hypno-tropicalia in the industrial warehouses and hidden rural hamlets of Hong Kong. Fear & Celebration is a witch’s brew of brazen sax themes, lo-fi/hi-tech electronics, motorik drums, group-sung vocals, wonky tactics and party palpitations results in a ritualistically euphoric sound experience, taking notes from post-punk, dance floor experimentation, bass/soundsystem music and tropical polyrhythms. After the band’s live debut at Sonar Festival, their breakout track 'Anxious Party People' (Plastic Pagan 2017) shocked dancefloors all over the world, receiving a shortlist nomination at Gilles Peterson’s Worldwide Awards for 'Track Of The Year’ and catching the attention of major radio outlets such as BBC 6 Music (UK), Radio Nova (FR), Worldwide FM, Beats In Space (US), RTE (IE), Radio Bern (CH), NTS, Radio X (DE), CR2 903 (HK) and KCRW (US), as well as being featured on Bandcamp Weekly. The album adopts “a kitchen sink approach to body music” (bleep.com) throughout its 9 tracks — burgeoning concept solos punctuate hulking low-end, while drum set freak-outs and extra-spectral wanderings bind with moments of beatific modal calm as disparate ingredients are satisfyingly reconciled. This is deep dance-floor for every mind's ear. Press quotes: “A unique take on modern dance floor tropicalia that draws the line beautifully between Post-Punk, NY Disco Not Disco and Afro-Latin outernational sounds.” Dom Servini, Wah Wah 45s" “I’m catching a flight to Hong Kong with one aim — to see these guys” Gilles Peterson “...the brilliant Blood Wine or Honey ... a stimulating blend of tribal rhythms, electro-psych and afro-beat Tom Ravenscroft, BBC 6 Music “What a tune, Anxious Party People ... one of the big dance-floor tunes this year ... one of the big tunes for me this year as well” Rob Luis, Tru Thoughts https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1504589382548-B3MNI8EIWPV9VURGOXG2/Loosefoot_Cover_WEB.jpg Blood Wine or Honey EP#2 Loosefoot was released digitally via Plastic Pagan on Nov 3, 2017. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1529811304545-PMYX5P97CH3E889481FC/Fear%26Celebration_TFlap_400x300.jpeg Blood Wine or Honey https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1504590223568-MHH3CBFBF86RV1XYSDYM/BWoH_12%2522_Hands_Promo_FullSize.jpg Blood Wine or Honey "Anxious Party People" / "The Young Ones" (12" & digital EP) was released April 28th, 2017 with remixes from Factory Floor (DFA) and Preservation (feat. Mike Ladd) Listen/buy music at bloodwineorhoney.com or Juno, Boomkat, Bleep, Spotify, iTunes, etc. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1481249928309-AUV1GKJM6R2VY9RNTS3C/BWoH_Promo1_lores.jpg Blood Wine or Honey From left to right: James Banbury – keyboards, bass, cello, tech, vocals Shane Aspegren – drums, electronics, synths, fx, percussion, vocals Joseph von Hess – saxophone, winds, objects, percussion, vocals https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1481249869354-EPR4CFGSNB3B0R8UWLR1/BWoH_Promo1_lowerres.jpg Blood Wine or Honey https://shaneaspegren.com/availableprints daily 0.75 2024-09-27 https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702324393583-W3N4E03745YULUI09YZN/IMAGE+2023-12-11+11%3A50%3A04.jpg PRINTS Cromniomancy (collaboration with Adrian Wong, reformatted for the 2023 Macau Biennial) // 2016—2023 Ten individual archival pigment prints // 40x40 cm each Edition of 3 + 2 AP more information / images here https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702324393583-W3N4E03745YULUI09YZN/IMAGE+2023-12-11+11%3A50%3A04.jpg PRINTS Cromniomancy (collaboration with Adrian Wong, reformatted for the 2023 Macau Biennial) // 2016—2023 Ten individual archival pigment prints // 40x40 cm each Edition of 3 + 2 AP more information / images here https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702325116789-H4MJ36151NZZ4UDGDHJ0/IMAGE+2023-12-11+12%3A04%3A52.jpg PRINTS recording the sounds of rocks against sheet metal, my hand ran across the bodies of plants, soil, and what had been a bird // 2020 archival pigment print on acid free cotton rag, mounted on aluminum, teak wood frame // approx. 100×66 cm Edition of 3 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702325116820-X50N395OBZK2VXRLLWHS/IMAGE+2023-12-11+12%3A04%3A55.jpg PRINTS detail of rounded teak wood frame // recording the sound of rocks… https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702494242950-L2JNMNJ6C4QMNIN3P9D2/deserttrash_web.jpg PRINTS 10:52_11.01.2018 // 2020 Archival pigment print // approx. 48.5x31cm, edition of 3 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702341522659-J8M7NHNCVY1GDPM3RM6F/untitled_conversationwayson.jpg PRINTS Untitled (conversation #1) // 2019 Archival pigment print // 100x66cm Edition of 3 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702335484637-0OHQ1HPJTMW9JOCEB8QW/Screenshot+2023-12-11+at+2.57.55+PM.png PRINTS (untitled) // 2019 Archival print // 30x90cm Edition of 3 + AP Please note: There is NO BORDER on the actual print — black outline is only used to indicate the cropping/ratio of the image. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702338817900-PDRXN0V0F0NJG4J615LM/microdosing_i_reducedforweb.jpg PRINTS Microdosing // 2019/2023 Archival pigment print // 31x31 cm Edition of 9 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702338816228-SB4PW5PZ83DE9C64ZP7K/describingathing_reducedforweb.jpg PRINTS Describing The Thing // 2023 Archival pigment print // 31x31 cm Edition of 9 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702494243950-GNR2RNSK0B16U42LOVCO/tai_o_web.jpg PRINTS 15:37_23/12/2016 //2020 Archival pigment print // 31x31 cm Edition of 9 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702338817641-BFL2MAQDZ3RRBRR9TSVB/digitalsunset_reducedforweb.jpg PRINTS 17:47_19/12/2016 // 2020 Archival pigment print // approximately 100×180cm Edition of 3 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702338821067-M8HZPZ7VEQRG9TDGS4BL/utahvan_reducedforweb.jpg PRINTS Untitled (Utah, from the series Matter/s) // 2020 Archival pigment print // 100×66 cm Edition of 3 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702329407368-BUWX28KKSM0E377HQN3M/Screenshot+2023-12-11+at+1.16.23+PM.png PRINTS Earth Numbers I (600-700 nm) & II (500nm) //2020 Archival pigment prints // 30.5x48cm each Edition of 5 + AP Accompanying text from Household Gods publication // PDF version of publication available upon request. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702343817637-BEPOAYLB489QMHS3LJ2C/Screenshot+2023-12-11+at+4.49.39+PM.png PRINTS text from Household Gods publication related to previous prints. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702343817872-6H60WXVK8USLZTHWT5JD/Screenshot+2023-12-11+at+4.49.00+PM.png PRINTS text from Household Gods publication related to previous prints. https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702338815144-63C5XDMWL4ANG8RIN87S/airportlight_reducedforweb.jpg PRINTS Imagined Smell of the Future, 2020 Archival pigment print // 100×66 cm Edition of 3 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702338819184-360ZBCU5FG0LETTJVA7Q/shanghaifish_reducedforweb.jpg PRINTS Untitled (from the series Matter/s), 2020 Archival pigment print // 100×66 cm Edition of 3 + AP https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/1702494243103-2B7S48L158KVRTY8I07J/snake_web.jpg PRINTS 14:33_03/11/2017 // 2020 Archival pigment print // 31x31 cm Edition of 9 + AP *suggested hanging is diamond ————————————————— MORE TO COME // PLEASE CONTACT FOR PRICING OR OTHER ENQUIRIES https://shaneaspegren.com/scoring-soundtrack daily 0.75 2026-02-23 https://shaneaspegren.com/bio daily 0.75 2026-02-23 https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/12b62743-1d1e-4ef6-bda3-dcc9a4867fb4/3_ShaneAspegren_landscape1.jpg BIO/CV - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://shaneaspegren.com/past daily 0.75 2019-09-18 https://shaneaspegren.com/hello daily 0.75 2020-04-17 https://shaneaspegren.com/musician daily 0.75 2026-02-23 https://images.squarespace-cdn.com/content/v1/51491277e4b0cbbd263826c6/d6c8d0f8-f02e-49dc-95b1-9ae8e5c5cdf3/Shane_photo+by+Vic+Shing_DSC00596.JPG MUSIC - Make it stand out Whatever it is, the way you tell your story online can make all the difference.